Until now, only the amplitude of the results was treated. The phase
(or space direction) of the signals can also have a significant role.
| Sobel:
[ - 1 0 1 ] [ - 2 0 2 ] [ - 1 0 1 ] |
Prewitt:
[ 1 1 1 ] [ 1 -2 1 ] [ - 1 -1 -1 ] |
The problem is that these transformations make disappear almost all information on the amplitude (which can however be found by thresholding).
But the wavelets also make it possible to privilege a particular direction
during the analysis. Thus, the wavelet known as of Gabor (similar to a
Gaussian signal) is usable to this end.
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The initial image is first of all filtered by H0 and L0.
The result after H0 corresponds to the coefficients on scale 1 and the result after L0 is the " residue " on scale 1. The next results are obtained in the same way, with K+1 oriented filters (B0 with BK) and L1 for the residue. The coefficients obtained (Bi) are the oriented decomposition, on scale N, of the source image. |
EXAMPLE:
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The image is a white disc on a black background.
Here, 4 orientations and 2 scales of decomposition are used. The position of each image is similar to those used in wavelet decomposition. The remaining image, at the top, on the left is the residue, after the low-pass filter. |
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EXAMPLE:
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The high-pass coefficients of the initial decomposition (H0) are visible down, on the right. |
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The example above is done with the filters drawn below:
L1 is a not oriented low-pass filter, to extract the residues which will be analyzed within the next iterations. H0 and L0 are not oriented, high-pass filters (coefficients) and low-pass (to produce residues, before the analysis of the orientation).
In comparison with other transformations, close to the wavelets:
| . | Oriented Decomposition | Gabor Transform 2D | Discrete Cos Transform |
|---|---|---|---|
| time/
frequency |
yes | yes | |
| invariant by translation
(no alias) |
yes
(approx) |
not | not |
| with oriented
filters |
yes | yes | not |
| invariant by
rotation |
yes
(approx) |
not | not |
| complete | 4k/3 > 1
= > redundant |
1 | 1 |
| Return | Synopsis | Continuation |